Showing posts with label Venice Film Festival. Show all posts
Showing posts with label Venice Film Festival. Show all posts

Sunday, 13 January 2013

70th Golden Globes: Who Would You Choose?


70th Golden Globes: Who Would You Choose?

In looking over the films nominated for Golden Globes awards, 2012 was the year for male roles, epic movies, musicals/comedies and foreign films.

myETVmedia takes a quick look at some of the films and stars we have followed this year that will be honoured at the Golden Globes. For our complete list of films with trailers, reviews and a look at what the Golden Globes will offer go to our website:


The nominations categories are tight. Best Picture Drama our choice would be Argo which made its World Premiere in Toronto at TIFF


BEST ACTOR: DRAMA

Daniel Day-Lewis, "Lincoln," Richard Gere, "Arbitrage," John Hawkes, "The Sessions," Joaquin Phoenix, "The Master," Denzel Washington, "Flight."

Best Actor in a drama is a very close call since really remarkable performances were seen. Ultimately Daniel Day-Lewis gets our vote because he redefined Lincoln in a way that was indelible. This is not to diminish the extraordinary role played by Richard Gere as the patriarch of a NY trading empire, the complex character role of Freddie Quell played by Joaquin Phoenix or John Hawkes' difficult and searing role in the Sessions. What set these performances apart was the quality of story telling running through each of these movies. Each character conveys so powerfully the struggles they must endure and overcome in their journey.


Best Picture for a Comedy or Musical is another category where comparisons are difficult because the movies are so vastly different and each so excellent. Ultimately Les Miserables will win our vote because of the sheer magnitude of the movie although Moonrise Kingdom and Best Exotic Marigold Hotel were so highly original, beautifully acted and directed and were delightful in every way.

 "Best Exotic Marigold Hotel," "Les Miserables," "Moonrise Kingdom," "Salmon Fishing in the Yemen," "Silver Linings Playbook."



The Best Supporting Actor category is again a really difficult one to make a choice for because the roles are so remarkably different and each has a significant part in the story contributing immeasurably to the movie. These are roles that are as substantial as the main role in many cases. Our choice would be Leonardo DiCaprio for his amazing ability to completely morph into a character we have not seen before.

Alan Arkin, "Argo," Leonardo DiCaprio, "Django Unchained," Philip Seymour Hoffman, "The Master,"Tommy Lee Jones, "Lincoln,"Christoph Waltz, "Django Unchained."


The final category that has turned up many gems this year is that of BEST FOREIGN LANGUAGE FILM. Out of the final selection here we will have to go with the crowd favourite Amour, although there are many films that could have been front runners in this category and are getting credit at other awards events. One of my personal favourites is Anna Karenina and in a completely different vein Rebelle (War Witch).

"Amour," "A Royal Affair," "The Intouchables," "Kon-Tiki," "Rust and Bone."







Sunday, 4 September 2011

Stars and celebrities at the Venice Film Festival: Where they are and what to do

Even the most composed of industry professionals often find themselves star struck when in the face of their acting deity. When at the Venice Film Festival and around the movie village and surrounding restaurants, it is not uncommon to find yourself eating across from a star or just a few feet away from them when at a press conference. This will tell you where you will probably see them (from our personal experience), and how to act when you do. 

The most important thing is to remember that they are just people, doing their job. So take a breath and realize that there is no point in getting all crazy because they are just like you. Put yourself in their position. While it is flattering for them to have adoring fans, and while they will usually treat approaches from fans kindly, it is not really nice for them to be bothered all the time while trying to eat or while they are just going about their business. 

The second thing to remember is that you are NOT a fan, but an industry professional. If you act like a professional, you will be treated like one. 

Lets take this for example, just an hour ago our team was having lunch at albergo quattro fontane, just outside the festival. After sitting down we realized that Viggo Mortensen was having a lunch meeting just across from us. And then we noticed several other stars, and that they were actually preparing to have interviews at the restaurant. We remained normal, didn't gawk or bombard him, and just enjoyed our lunch. At desert time when the waiter/manager was convincing us to have tiramisu, Mortensen engaged with us and the waiter and we all had a small laugh following some witty comment from him. He got involved because he saw that we were cool, calm and collected. While we didn't walk away with a photograph, we walked away with self dignity and the fact that Viggo Mortensen engaged in a conversation with us just like regular people do, which is invaluable to a fan of his work. 

So since we have been here, here is where we have seen some stars. As fore mentioned we saw Viggo at albergo quattro fontane, and we saw Laurence Fishburne at the Hotel Cipriani (on Giuidecca) who was also enjoying a coffee just a few feet away. Hotel Cipriani is an elegant hotel, and the favorite of many stars who visit venice. The Hotel Bauer includes a luxurious ultra elite spa, another hot spot for stars. 

So now we move on to press conferences. The press conferences at the Venice Film Festival are ridiculous. People rush in to get the front row seats, they mob and run to the stars at the end, and you end up breaking a few ribs but getting out with a signature. So here are the BEST ways not to suffer a fatality and to get away with a nice piece of memorabilia and your self respect still intact. 1) If you have a videographer, or anyone with "radio/tv photo" accreditation, you can get into the conference room before it actually opens to set up your camera. Personally I just say I'm setting it up and then leave a couple of bags on the seats that I want while I pretend to set something up at the back. This has worked every time, and I have sat front row and center. This only works if you have some visible camera equipment and the "radio/tv photo" accreditation badge. 2) Provided your excellent seat, you are now just feet away from the stars, directors ect. which means you will have no problem getting up there for a signature. Have your pen on hand, and when you see people in your peripherals charging, walk up to the front like you own the place because you will get there first and have time to give your star of choice a coy smile and get an autograph. 3) Photos. If you want to get photos/videos, bring a small digital camera and a scarf. They don't allow you to, but you can get a couple shots in when they first enter if you keep it ready on your lap. 

Well there it is. USE IT WISELY. Remember, respect yourself, the stars, and your fellow industry delegates and maintain your sense of cool and calm. They are just people, and if you appreciate them you won't harass them. Hope this helps you have a great festival!

Thursday, 1 September 2011

Media/Press Venice Film Festival Guide - What you NEED to know

After experiencing the festival for a few days, here is a guide that anyone wishing to get or who has accreditation NEEDS to read. We got screwed on a couple of these things, so make sure you're prepared. This is essentially filled with things that you should really know but they don't tell you.

CLICK HERE FOR THE MEDIA/PRESS VENICE FILM FESTIVAL GUIDE

Venice Day to Day - 01


Wed Aug 31st at the 68th Venice Film Festival is off to an amazing start. A beautiful, hot sunny day, with top talent opening the event. Press have arrived from everywhere and it is a sea of camera's, press passes, lap tops and in the press room, hard work. The myetvmedia team is lucky and gets front row access in the Press Conference Room. (We did put in the work waiting for 2 hours before the ‘Ides of March’ conference began.)

High Points:

Press Conferences opens with Paulo Baratta & Marco Muller, (la Giuria 68 VFF). Then, the jury with Star power including multiple awarding winning director Darren Aronofsky (President) who draws most of the questions.

George Clooney arrives to introduce his much anticipated film "Ides of March". My ipad is essential and the translation headphones available on site. After a very entertaining press conference (a lot about seduction) the media stampede to the front table like kids to get a piece of the stars.

Low Points:
Being first timers we made some mistakes. One of our photographers after joyfully getting into the photo room was politely asked to leave when it was discovered we did not have the Maccheroni pass which you need to line up for everyday by 10am. (No up close with George today! Its really tough for first time press to get these passes.)  

We missed the 9am press screening of ‘Ides of March’ not understanding watertaxi schedules or boarding points around the canals. A ‘Times’ reporter sitting next to me in the conference described ‘Ides of March’ as “a taught, political thriller”. We will see it at TIFF. This just reminds me of our arrival from the airport. NEVER take the public watertaxi from Venice airport to the Stucky Molino Hilton unless you want a one hour water tour of Venice from every direction with multiple stops. (Jet lagged, hungry and hot, dragging all the cameras and luggage). The private boat would have been really worth it! Next time.

Internet is slow in the media room and spots at the tables are hard to get after 9:15 am.

Thrilled to be here, small, intimate and well organized.


List of press tips and tricks will be uploaded soon. 

Saturday, 20 August 2011

68th Venice Biennale Press Guide

Welcome to myETVmedia's blog counterpart. Here you will find the behind the scenes information on how we do what we do, for those of you who are aspiring industry professionals or anyone who is interested. For our first post we are putting up our condensed "myETVmedia's Press Survival Guide Edition 1". We are attending the Venice Film Festival for the first time this year. As many will find, one can find themselves venturing to the farthest reaches of the earth, exploring foreign lands and languages in search of the lifeblood - GOOD MATERIAL. So check this out and hopefully it will help guide the way. If you would like to see more information about the Venice Film Festival, we will be uploading notes on our day to day press coverage activities here to give you a feel for what media access is like. I will also be uploading a revised edition closer to the festival date with more details. Please request anything else you would like to see on the blog such as tutorials, tech specs, or anything you can think of.
CLICK HERE FOR VENICE FILM FESTIVAL GUIDE